Yesterday the temperature was mild and the sun shone, so we took Andrea out to see Duffryn Gardens. Few of the trees have yet begun to change colour and several flower beds are vivid with the bright colour of autumn blooms. The warm brought out a variety of bees, a few butterflies and lots of dragonflies, which were busy mating over the ornamental ponds.
The leaves on the vine decorated pergola at the far end of the main lawn are still an untainted green, and bunches of small black grapes nestle beneath them. It's a lovely sight.
We navigated our way across country from Duffryn along narrow lanes to find Llancarvan church with its mediaeval wall paintings, but sadly it was locked, so we headed for home.
We went out early to Stefano's for supper - fresh picked porcini mushrooms and arancini were among the treats on the menu - a perfect prelude to the evening viewing of 'Young Montalbano'. Andrea is also a fan.
The leaves on the vine decorated pergola at the far end of the main lawn are still an untainted green, and bunches of small black grapes nestle beneath them. It's a lovely sight.
We navigated our way across country from Duffryn along narrow lanes to find Llancarvan church with its mediaeval wall paintings, but sadly it was locked, so we headed for home.
We went out early to Stefano's for supper - fresh picked porcini mushrooms and arancini were among the treats on the menu - a perfect prelude to the evening viewing of 'Young Montalbano'. Andrea is also a fan.
Today is my first Sunday in a while without locum duty so we breakfasted late, went to St. Catherine's for their Harvest Festival Eucharist and showed Andrea the Riverside market before returning for lunch. We set out early for the opera, to enjoy half an hour's afternoon sun down the Bay before the performance of Donizetti's 'Roberto Devereaux' started. It's the third in the series of operas set in the court of the royal Tudors, with a magnificent performance by Alexandra Deshorties as Queen Elizabeth the First. The set design was similar to that of the other two operas in the series - 'Anna Bolena' and 'Maria Stuarda', dark and minimalist with hardly any reference to the historic period.
In the second half the Queen ascended to sing from a throne which resembled a giant mechanical spider, prowling around the stage. When it was revealed during the scene, it raised a ripple of amusement among the audience. It was incongruous and un-necessary, a gross metaphor of predatory power where a subtle one would have sufficed. The music was marvellous and so were the singers and orchestra, so disaster was averted, and a good time was had by all. It was good to emerge from the Millennium Centre before it got dark, for a change, and return home for a quiet evening of conversation about Geneva days.
Alexandra Deshorties
Alexandra Deshorties
Alexandra Deshorties
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