Showing posts with label Black Lake. Show all posts
Showing posts with label Black Lake. Show all posts

Saturday, 30 September 2017

Birthday take-away

Unfortunately, Clare has been doing battle with a horrible cold this past few days, and was brave to have made it to the opera last night. It's amazing how, year after year, she succumbs to illness on or around her birthday, for no apparent reason. Today, out of sheer self preservation, she spent much of the day in bed. She has much to do next week, accompanying Ann to the inquest into Eddie's death last year, and wants to be fit to travel to East Anglia for this. 

So, until Kath and Rhiannon arrived at tea time, we had a rather quiet day. When they arrived, we decided to get a take-away meal from 'The Italian Way' restaurant on Cowbridge Road East, we'd booked at table in, to spare Clare having to go out, and this was quite a success, apart from the amount of disposable packaging to be dealt with afterwards. It's one good reason to shun ready meals, and cook from fresh, no matter how much effort it takes.

Ann and I watched the penultimate set of episodes of Black Lake, on BBC Four which continues to un-impress. The acting of people in roles confronted by disturbingly traumatic experiences leaves much to be desired. I don't think it's a matter of culturally different responses to tragedy, but rather a failure of the movie producers to understand and reflect real human reactions to situations they cannot control. There may well be an interplay between the use of Danish, Swedish and Norwegian languages rather lost in subtitles, but many feelings can be conveyed by facial expressions and body language, which in this series are absent. The plot is flaky enough already without stretching credibility further. 

I keep watching, if only to observe how stupid the producers believe their audience is. It's waste of time really, but at the moment I have time to spare. It's odd, when the movie production values disturb you more than the intended horrific narrative. Like Mel Gibson's 'Passion of Christ'.
  

Saturday, 23 September 2017

Acrobatic Montreux

Delighted this morning to receive a call from our friend Andrea from our Geneva days, whom we have visited several times in Scarborough, where she now lives. She is here, staying for a week with mutual friend Yvette, and they are coming to Territet to meet me and have lunch on Monday, which is just marvellous news.

I finished the intercessions of Sermon for tomorrow, then walked into town for some shopping late afternoon. When I arrived, I immediately regretted not having brought a camera, as the covered Market Hall was hosting a community festival of acrobatics, the Montreux Acro d'Acro as it's called with an outdoor trampoline, various kinds of bar apparatus for balancing and swinging from, and a large acrobatic floor stage, hosting not only ordinary gymnastic routines but also used for what I'd call BMX bikes. Two young men performed on these while I was passing by, extraordinary balletic as well as athletic routines of strength, speed, flexibility and balance. I've never seen anything like it, close up. Most impressive.

In the evening, I watched the second pair of episodes of BBC Four's latest Scandi-noir melodrama, having almost lost patience with the story after the first pair of episodes last week. It's set in the frozen wastes of northern Sweden in the haunts of the Sami. Beguiling photography, but so far it's unclear as to whether this is a psychological or a supernatural crime thriller. It puts a certain strain on the story's credibility, while not reaching out to invite one to suspend disbelief. Not the same plot standard as previous Scandi-noir thrillers. Psychological thrillers which play out well within the bounds of ordinary reality can be far more scary than supernaturalistic melodrama, in which the monster most likely to be revealed is figure more of childish fantasy than natural life. Why suspend disbelief when things happening in the real world can challenge beliefs we have about ourselves.