New Year's day was quieter than a Sunday. It was mild and sunny with clouds until sunset, when it began to rain. In the afternoon I walked the lakeside path as far as the Chateau de Chillon with my camera, and got a decent close up photo of a bird I couldn't identify swimming off-shore. A flock of a hundred or so Scaup were swimming together nearby. This is an aquatic bird I hadn't come across until I identified a few of them among the Coots and Mallards on the rio Aguas in Mojacar back in November. I wonder if the birds live here or are spending the winter here, or just passing through?
In the evening I watched the New Year's Day concert from Vienna, always a favourite, and even more so now we've sailed on the not so blue Danube, seen Vienna, and the Vienna Woods slipping past. It prompted me to take another look at my on-line album of cruise photos, and realise just how little of Vienna we'd seen in our packed day's visit. Hopefuly, there'll be another time.
Then I watched first episode of McMafia inspired by a novel of Misha Glenny. It's a dramatic exposée of the power struggle between different Russian criminal clans. and how this impacts upon the personal life of a second generation British banker of Russian parentage. It's a stylish portrayal of the lifestyle of the super-rich after the manner of the film of Le Carre's 'The Night Manager'. It's complex and a little slow moving, which makes me wonder if it's making sense to me. Early days, however.
Today was another 'quiet as a Sunday' sort of day, being a second Swiss public holiday in a row. It walked into town to see if anything was open, and found several restaurants, cafés and convenience stores were open, not that I needed anything, as I'd stocked up before the weekend. I walked up into the old time, and discovered several old streets and alleys I hadn't found before. I walked back past the ancient Parish Church of St Vincent Veytaux, and took another photo of it with the vineyard in the foreground, now in winter wear, denuded of leaves. The church was open, and the sanctuary was host to an unusual nativity scene.
The figures were cardboard cut-outs, which had been minimally decorated by a local artist who had also written an interpretation of the intended symbolism of the scene from his viewpoint which was displayed alongside the nativity scene in the spacious sanctuary of the church. In common with many other reformed mediaeval church buildings there's almost no furnishing in the chancel and sanctuary, just a simple Communion Table at the entrance. The simplicity of the space is enhanced by stained glass window light. It's a delightful building, with a timeless feel to it, and it's such a contrast to the glitzy cosmopolitan streets down below on the lakeside.
Later, I watched episode two of McMafia. I'm still not sure I've got a grip on the plot-lines, or if I'll have the patience to watch the third episode on Sunday next.
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