Showing posts with label Women Bishops. Show all posts
Showing posts with label Women Bishops. Show all posts

Wednesday, 2 November 2016

All Souls Day and Good News from home

As today is All Souls' Day, I thought I'd visit the local municipal cemetery.  It's outside Garrucha on the Mojácar side, a kilometre along a road in which the first building is the Lidl supermarket, and I needed to buy a few things anyway. It's on top of a ridge overlooking the inland plain enclosed by whitewashed walls, with ample parking, two chapels of repose for vigils before burial and a tree shaded forecourt, neatly laid out. At its centre is a life sized marble statue of a man reaching up to heaven, emerging from the stone base, almost out of it in fact, but shackled to it.  
The inscription on the base says 'Garrucha a sus defuntos'. It's a tribute from the town to all its dead citizens, just as in town, there are separate marble statutes erected in tribute to the hard working women and the fishermen of the town. Symbolic I imagine, of the human spirit emerging from mortal confinement and rising to eternity. Several towns in the region seem to go in for generic tributes to its citizens of this kind. Does it reflect the local abundance of marble and talented sculptors I wonder?

Inside the walls, family tombs predominate. Few are large and ostentatious, and most are arranged in neat straight rows like terraced streets, neat, clean, marble clad, many with modern looking portals, an indication of investment by the living in accommodation for the dead. There are several rows which are plain walls for burials of the kind that predominate in other more urban cemeteries. Here however, even some sections of plain wall have been purchased and reserved for family use. As ever, the necropolis reflects social order, but what is interesting here is number of family tombs, illustrating the value still placed on family in a still close knit seaside community.
Cemetery 'streets' are named after saints, and in each were scattered a number of white plastic chairs, for the use of visitors wanting just to side outside a family tomb to remember and reflect, and maybe to greet passing friends and neighbours. Everywhere, tombs were decorated with flowers and lit candles, and in the area of burial walls, groups of people worked at tidying up, flower arranging and chatting together. Visiting the dead is a convivial activity, and I noticed people greeting each other warmly and cheerfully. Nothing sombre about El dia del Defuntos here. 

Maybe having cemeteries enclosed like this encourages meetings. Unlike the vast open spaces of northerly public cemeteries and crematoria with their gardens of remembrance, in which visitors can so easily get lost, and are so spread out that it's not easy to socialise in such an environment. Some find peace and consolation through solitude, but others through solidarity and kindness in fellowship. Spanish people enjoy doing things together in numbers, like Italians, more so that people do the other side of the Alps.

Back home for lunch, and after lunch the third and final episode of a BBC Radio 4 spy thriller serialised this week, called 'The Good Listener'. It was set inside GCHQ in Cheltenham, during a very serious cyber attack, and painted an interestingly plausible picture of fast moving dramatic events, and posing some challenging moral issues for reflection. It's been good enough to keep me wide awake in siesta time, and comes at a time when cyber warfare is in the spotlight through Parliamentary debate. Talk about 'Play for Today'! Or was it really a kind of covert propaganda designed to get the audience to feel comfortable with existence in a surveillance state? The concern is real enough and with us now.

Just after the play finished, I saw the announcement on Facebook of the election of Joanna Penberthy as the 129 Bishop of St David's, one of the most ancient episcopal sees in the British Isles. It's not just good that Wales has a woman as a bishop for the first time, but that her experience of ministry is so rich and varied, having started as a deaconess, then being ordained Deacon and Priest, serving in ministry as a non stipendiary cleric, as an adult educator, and then finally a parochial incumbent, a much broader spread of engagements than the average Oxbridge educated career cleric. So glad for Archbishop Barry that one of his last acts before he retires in the new year will be her consecration. This is a new start for the ministry of the Church in Wales he has worked for patiently over many years.
  

Saturday, 14 September 2013

Operatic perspective on Tudor times

A quiet day's pottering at home, writing a sermon, followed by an evening outing to the Millenium Centre for the WNO's performance of Donizetti's opera 'Anna Bolena', the Italian spin on the tale of Henry VIII and Ann Boleyn, the first part of a series of three Donizetti operas around the English Tudors. Unusually, the auditorium was less than full, perhaps because of critics' lament about the stage design and costume. It was certainly a minimalist presentation on a black set with dark colours so that the lighting emphasised mainly faces and hands. 

The costumes were a de-historicised allusion to the period, almost Wagnerian in abstraction, nothing attractive or likeable. Enrico, with his long mane and garb looked as if he'd been parachuted in from the ring cycle. He projected nastiness so effectively that at curtain call he raised an appreciative theatrical 'boo' as well as applause from the audience. The music, the singing and stagecraft of the performers, not to mention the energetic antics of the conductor, made the performance powerful and moving, provided you could be philosophical about the mise en scene. A great night out.

Donizetti's liberetto portrays an evil, ruthless, scheming king in a less than subtle way. Taking into account what a nasty piece of work the author of the Anglican break with Rome was, there seemed to me an element of Italian Papal aggression towards the English in the spin given to the story told. How did that go down when it was first performed in London two hundred years ago? I wondered. Mind you, if the story had been set in an a non-historical continental land, fictitious or real, with characters named to suit, this probably wouldn't have drawn my attention.

It's impossible to feel pride about the origins of  Anglicanism in reformation conflict. It's something of a miracle of divine grace that so much good fruit came from inauspicious origins over centuries since. 

Talking of which, the Church in Wales Governing Body voted in favour of ordaining women to the episcopate yesterday. It will grieve many adherents to a traditional understanding of ministry and church structures but at least it's reformation without blood letting. More reform is needed to make the church and its message more credible to the contemporary world - the way episcopacy and authority are exercised, the way decisions are made and followed through. Old ways and institutions can't last much longer due to decline financial support that goes with loss of members. Can the church lose size without totally losing substance and significance? It's not really in our hands. It's up to God.