I woke up from a good night's sleep to listen to the news on this 25th anniversary of the attack that destroyed the World Trade Centre in Manhattan killing three thousand people. 'The Reunion' programme on Radio 4 interviewed many witnesses with first hand experience remembering the events, and replayed audio from that tragic day.
We were living in Monaco back then. I remember well it was a hot and humid day. We sat down to relax after lunch and watched the news coming in with live footage of the second plane crashing into the building, while the camera was focused on showing the fire started by the impact of the first plane. It didn't seem unreal or like a fake news item as it happened. There was genuine shock and horror in the news commentator's voice which no actor could convey.
It was stunning to witness this, even at a great distance, trying to imagine what it was like for those caught up in this tragedy. A strong contingency of Americans lives in the Principality. That evening and over the days that followed I kept St Paul's church open and stayed around in case anyone wanted to talk or ask for prayer. Few people entered, those who did were lost for words. I guess most people were keeping vigil in front of the TV news or trying to contact family and friends in the hours that followed. By the weekend, the Diocese issued a special order of prayer for the victims, and all touched by the catastrophe for use in public acts of worship and a service took place at St Paul's. Those bleak sad days are a blur in my memory. There's nothing in my sermon archive to suggest I preached. It was a time for silence rather than words. It was already clear the world would not be the same again after such an atrocity, but in what way? Nobody could guess back then.
I went out to buy veg from Jason's greengrocer's before lunch then started cooking without realising we're meant to be eating a cooked meal this evening when Kath arrives for the weekend. Crossed wires unfortunately. Sometimes my attention to detail fails due to the medication slowing my thought processes. I see things I may be looking for but not recognise them for this reason. I noticed this morning that my weight has dropped by four kilos. I'm convinced this is to do with the bad effect of the medication on my digestive system. Will I convince the medics concerned with reviewing my medication that it's less beneficial to my health than they think?
I went to the pharmacy just after five to collect the prescription meds ordered on Monday and the place was shuttered at five twenty four, despite a notice in the shop window and on the website stating closure is five thirty. And it's not open again until Monday. It's the second time this has happened to me on a Friday. I was so annoyed.
Kath arrived at supper time, bringing with her a bidet device designed to sit under a toilet seat to attach to the bathroom water supply. Also Kath brought with her a large framed portrait, one metre tall by half a metre wide, of Clare's godmother Esther Ellen Skelton known as 'Auntie' Betty, her mother's cousin. It was painted by an artist named F Morelli when she was a child about seven years old. I recall seeing this on the wall in her dining room when we visited her house sixty two years ago. She left the painting to Clare in her will. Her nephew Adrian acquired the painting when her house was cleared after her death in 1987, but he now lives in New Zealand. It's taken many years to reach us on a journey which started in Surrey, went to Wolverhampton after her death, then to Owain in Bristol last year. Kath picked it up from Bristol and delivered it to us.
It's a beautiful work of art in a romantic impressionist style. The face has a recognisable family likeness to it, to judge from my recollection of the old woman I met fifty years There was a sticker on the frame giving Auntie Betty's dates, and the painter's signature in red is in the bottom left hand corner. Kath fed a photo and the few details we had into Google and identified the artist as Francesco Morelli a French-Italian painter who specialised in depicting scenes of rural life, but earned his keep from portraits of people commissioned by wealthy families. What a surprise! By the time all this was revealed it was time for bed.